CAMERA

Sony F55 — Netflix-approved workhorse for 4K production, RAW-ready with an AXS-R5 recorder. For crewed-up cinema shoots or one-man-band corporate shoots, it’s up to the task.

Sony α7s III & Sony α7 IV — Small and nimble cameras that fit in anywhere.

Panasonic Lumix S1H — 6K and anamorphic-ready in a small package.

GLASS

Irix Cine PL — Spherical — 15mm T2.6, 21mm T1.5, 30mm T1.5, 45mm T1.5, 65mm T1.5, 150mm Macro T3.0

Blazar Cine PL - Anamorphic 1.5x - 45mm T2, 65mm T2, 100mm T2.8

RED Cine Zoom PL - Spherical, s35 — 17-50mm T2.9

Sony E-Mount — 24-70mm GM f/2.8, 70-200 GM f/2.8, ZA 55 f/1.8, Sigma 35mm Art f/1.2, 90mm f/2.8

LIGHT

Nanlite LEDs — FC-500C (RGB), FS-300B (Bi-Color), FS-60B (Bi-Color), Forza 60C (RGB)

Westcott LEDs — 2x Flex 1x1 Panels (RGB), IceLight2 (Daylight)

SUPPORT

Zhiyun Crane 4 — Gimbal that flies the α7s III, α7 IV, or S1H

Syrp PRO Slider — Up to 5’ slider that supports the F55

Cinegears Ghost-Eye 400M — Zero-latency transmitter for SDI & HDMI

Tilta Nucleus-M — Wireless follow-focus

Ninja V+ (with Timecode & SDI Modules) — Unlocks ProRes recording for the α7 IV, ProResRAW for the α7s III & S1H, and H.265 recording for the F55

AUDIO

Tascam X8 — 32-Bit Float Audio Recorder

Rode NTG-3 — High-quality boom mic

Sennheiser MKE 600 — Battery-powered boom mic

RodeLink Filmmaker Kit — Wireless 2.4 GHz Lavalier Mics

Saramonic UwMic9 — Wireless UHF Radio Lavalier Mics

Prefer different tech? My experience isn’t limited to this list. Get in contact, I’m sure we can figure something out!